Marlfield
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To try me out, I had to put a bomb under a car

Marlfield
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Don’t!

Marlfield
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Marlfield, a font of exquisite design and graceful curves, embodies the essence of sophistication in typography. With its refined strokes and delicate serifs, Marlfield exudes a sense of timeless elegance, making it ideal for high-end projects and luxury branding. The font's versatility allows it to effortlessly adapt to various styles, from classic to modern, leaving a lasting impression on any creative endeavor. Whether used in print or digital media, Marlfield's charm captivates readers and adds a touch of refinement to any text. Embrace the artistry of Marlfield and elevate your typographic expressions to new heights.

Marlfield
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House
Clique
Asset
Bake
Preoccupation
Trance
Close
Timetable
Graphic
Extreme

Marlfield
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AÁĂÂÄÀĀĄÅÃÆBCĆČÇĊDÐĎĐEÉĚÊËĖÈĒĘẼFGĞĢĠHIIJÍÎÏÌĪĮĨJKĶLĹĽĻŁMNŃŇŅÑ
OÓÔÖÒŐŌØÕŒPÞQRŔŘŖSŚŠŞȘẞTŤŢȚUÚÛÜÙŰŪŲŮŨVWẂŴẄẀXYÝŶŸỲỸZŹŽŻ
0123456789/.,:;…!¡?¿·•*#//\-–—_(){}[]‚„“”‘’«»‹›"'@&©®™°|¢$€£¥+−×÷=><%‰℗

ABOUT MARLFIELD

Marlfield is a display typeface with fairly strong fat and condensed proportions. It was born as a custom typeface for Klima magazine in 2018. Klima is an annual print magazine. Each issue offers a collective reflection based on an article written by an academic, aimed at a curious and informed public. Klima gives a voice to individuals who are aware, creative and singular, reflecting an era and its questions, while revealing the multi-disciplinary nature of the artistic, activist and academic communities.

Marlfield was therefore designed in several stages, initially in the form of a logo. The idea was to design a very compact, legible and identifiable shape so that the logo could be used in large size on the covers. A fairly simple condensed serif style, to which we would add a number of special features to make the logo more iconic. The logo was therefore designed almost as a single ligature, a single glyph, and this concept then remained for the whole alphabet, as in the counter-forms of the n or the m. Then a simple alphabet was drawn, and the other glyphs were added over time according to the magazine's uses. The references for this design obviously lie in the first part of the 20th century, in the typefaces designed for the press, on the front page or in headlines, where impact and legibility were essential. These include Plantin, Perpetua and Times in their most condensed versions. Hence the proportions and tight spacing, as well as a number of ligatures to give headlines and other messages great impact. Its forms are intended to be fairly historical, but we would add many details and sometimes a certain 'mannerism' to make this typeface simply more contemporary and more distinctive.

Designed by Eliott Grunewald in 2020

INFORMATIONS

Character set: Latin extended

File formats delivered: OTF, TTF, WOFF, WOFF2

Supported Languages:

Abenaki, Afaan Oromo, Afar, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Aymara, Bashkir (Latin), Basque, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chickasaw, Cimbrian, Cofán, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Genoese, German, Gooniyandi, Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Makhuwa, Malay, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Lule Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Wik-Mungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

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